Mary PTG 137

This is the another of the songs in the Praise to God collection harnassing the talents of religious sisters in Australia.

I can’t find out a lot about the songwriter, Margaret Burgess RSM – all the usual sources are silent. Her song, “Mary” was from Songs for Children of the Kingdom Vol. 1, which is well and truly out of print. Otherwise I found out the book is 56 pages long and that’s about it. Try searching for songs called “Mary” written by nuns some time. If anyone has information let us know.

I find a lot of Marian hymnody hard to stomach, but this is a song for children about doubt and not fitting in, that I think is charming.

I made a backing:

Chorus

Mary you knew how to listen to what our Father had to say.

Help us to understand what He is saying to us .

In the things that happen everyday.

1 You kept His secret in your heart.

People would have scoffed at you, said that you were strange.

You must have wondered where His plan would lead.

You trusted and beleieved.

2 Each of us is called to something special.

Deep within our hearts the answer lies.

We’re not sure which way to turn when things go wrong –

Help us search with you.

© 1982 Margaret Burgess RSM

The chance of you finding a copy of this sheet music is close to zero, so I will put up a pdf. I am happy to take it down if someone can point to where it is available, but it is a shame songs like this aren’t archived somewhere.

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Carry Me Lord PTG 330

It is interesting to me what sources the Dominican Fathers used to compile the Praise to God: Parish Hymn Book. A lot came from the Australian Hymn Book, the Catholic Worship Book, the Celebration Hymnbook, Glory and Praise, and the New Living Parish Hymn Book. There wasn’t that much OCP from Glory and Praise and it appears none at all from GIA, which is probably because Gather Australia was on the way. I am more interested in the the small collections they looked at, as that was where the Australian songwriters were to be found, so I will continue my illogical, but vaguely alphabetical, trawl through these collections – in their list of sources, while appearing alphabetical, within each letter the listings are random.

They took two songs from Leo Watt’s, The Altar of God, which I have already looked at, “Though Many We Are One” and “Go Now, You are Sent Forth“. A lot of Leo’s work is now available at Willow, but these two were Alberts copyrights – Yes, Leo Watt was on the same label as AC/DC.

Then they looked at Lucien Diess’s Biblical Hymns and Psalms, but all their selections I have blogged from other sources.

Which brings me to the first of the Spectrum Publications collections, Come As You Are. I’ve only been a Catholic since 1997, so I missed the Father Paul Gurr records. He used Australian songwriters such as Kevin Bates, Deirdre Browne and Brian Boniwell on his recordings and was apparently quite popular.

From this collection, PTG used “Mary’s Song” by Peter Gagen, and the famous title track, “Come As You Are” by Dierdre Browne, both of which I have blogged.

What I haven’t looked at is another Sister Dierdre Brown song that the editors sourced from here for PTG, “Carry Me, Lord”, which is a new one to me.

I should have listened to the clip, before I made a slightly bizarre backing – I revised it after hearing the version below. The sheet music in PTG was melody line only so I just made up some chords. The triplets jar when you go too fast, as I did the first time. I have had no luck finding this sheet music anywhere.

I used to post fail backings when I didn’t know how a song went but that hadn’t stoppped me making a dreadful backing. In my defence this time there was no tempo, no chords and no instructions on the sheet music, so the recipe failed with this backing.

1 Carry me, Lord, to peace and shelter.

O carry me Lord, from wind and rain.

Remember your promise O shepherd of Israel.

I will be yours and you will be mine.

2 Carry me, Lord, to light and safety.

O carry me, Lord from dark depair.

Remember your promise O shepherd of Israel.

I will be yours and you will be mine.

3 Carry me, Lord, to love and freedom.

O carry me, Lord from hate and fear.

Remember your promise O shepherd of Israel.

I will be yours and you will be mine.

4 No burden’s too heavy when you are near us.

No darkness too deep when you are near.

You’ve given your promise to all of God’s people;

I will be yours and you will be mine.

5 Carry me, Lord, I’m limp and weary.

O carry me, Lord, your arms are strong.

Wherever you take me, O Shepherd of Israel;

I will be yours and you will be mine.

© 1986 Spectrum Publications

Listen to the good Father to see how it’s done.

Just for fun, here are the other two songs:

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Babylon PTG 322

OK, this is the last of the songs Praise to God sourced from All Together Again, for which I am grateful, needing a break from mostly American folk mass era songs for a while. They do, however, remind me of the wonderful and ever growing resource we are given with the Godsongs website.

This one, however, is traditional C18 English, adapted from Phillip Hayes’s hymn. It is for any circumstance where lament is the only appropriate response.

In the extremely unlikely event you are playing this from the PTG hymn book, there is an error – the first “Zi-” is a G# not a G.

I made a backing, but everyone knows this one.

The text though is up for grabs. Godsongs has these:

By the waters, the waters of Babylon,
We sat down and wept, and wept, for thee Zion.
We remember, we remember, we remember, thee Zion.

On the willows, the willows of Babylon,
We hung up our harps our harps, for thee Zion.
How can we sing, how can we sing, how can we sing of Zion,

There our captors, our captors from Babylon,
Tried to make us sing, and sing, of thee Zion.
We could not sing, we could not sing, we could not sing of Zion.

PTG has two verses by the editor, Nicolas Falzun.

By the waters, the waters of Babylon,
We sat down and wept, and wept, for thee Zion.
We remember, we remember, we remember, thee Zion.

On the poplars, the poplars we hung our harps,
They asked us to sing, to sing, of thee Zion.
How could we sing, how could we sing, while we’re in captivity.

Let our voices, our voices, sing praise to thee,
May we not forget thee, forget thee, our greatest joy!
We remember, we remember, we remember, thee Zion.

The first verse is all that is needed, preferably as a round.

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Jesus, Jesus, Let Me Tell You What I Know PTG 266

This anonymous song is also sung as “can I tell you how I feel” and is often performed as a round.

To quote Mary, at Godsongs:

This simple hymn is a statement of faith in, or love for, Jesus.

The author and composer are unknown: some people say that it was popular in the “Jesus movement” in the 1960s / 70s, but no published versions have been found (presumably because it is so simple, they weren’t needed).

She’s probably right, but the Dominican Fathers thought it was worth publishing and copyrighted their arrangement. Since they got it from All Together Again, they must have thought it worth publishing too, I suppose. No matter – there is sheet music at Godsongs if you need it.

PTG has a second and third verse, although most versions I have heard have just the one. I like the second verse – Emmaus in two lines.

1 Jesus, Jesus, let me tell you what I know.

You have given us your Spirit: we love you so.

2 Jesus, Jesus, took the bread and blessed and broke it,

Then our eyes and hearts were opened: “It was the Lord”.

3 Jesus, Jesus, it is written he would suffer,

On the third day he would rise; this we have seen.

Alternative lyrics:

Jesus, Jesus, can I tell You how I feel?
You have given me Your riches, I love You so.

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Make a Joyful Noise Unto the Lord PTG 226

I have a few more songs from All Together Again that were sourced for the Praise to God Hymn book by the Dominicans. There were a lot more but they have been covered on this blog from other sources.

This is an anonymous reworking of Psalm 100. The chords are just C/Am/F/G over and over again but I suppose that is just the classic four chord song.

I don’t think my backing has enough “rhythmic boldness”.

As this song is PD and finding the sheet music amongst the thousands of other arrangements is more trouble than it is worth, here is the arrangement from PTG. The hand written appearance is the most common style in the book, although there are others that are cut and pasted in – in those days literally.

I notice from YouTube clips that many people are so bored they put in multiple key changes.

In case you have missed the wonders of the four chord song…

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I Will Sing PTG 225

The songs that the editors of the Praise to God hymnal sourced from the Lutheran hymn book, All Together Again, are mostly Protestant folk songs, and they give an idea of repetoire that was suggested in the 1970s for Australian Catholic churches. I grew up with songs like these in the Presbyterian church and they were a welcome respite from what my young self thought were boring slow hymns played to the same few tunes.

This one is by Max Dyer, and once again Godsongs is all over this song. I also have a copy in Scripture in Song Book 2, and your best bet for sheet music is an old second hand hymnal. The chords are all over the internet, though, and that is probably all you need.

I made a backing:

1 I will sing, I will sing a song unto the Lord. (3x)
Alleluia, glory to the Lord.

Chorus:
Allelu, alleluia, glory to the Lord.
Allelu, alleluia, glory to the Lord.
Allelu, alleluia, glory to the Lord.
alleluia, glory to the Lord.

2 We will come, we will come as one before the Lord (3x)
Alleluia, glory to the Lord.

3 If the Son, if the Son shall make you free, (3x)
you shall be free indeed.

4 They that sow in tears shall reap in joy (3x)
Alleluia, glory to the Lord.

5 Every knee shall bow and every tongue confess, (3x)
that Jesus Christ is Lord.

6 In his name, in his name we have the victory (3x)
Alleluia, glory to the Lord.

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The Lord Is Present in His Sanctuary PTG216

Getting back to the Dominican Father’s Praise To God: Parish Hymn Book, this is another sourced from All Together Again.

Godsongs has the background and PTG lists the songwriter as Gail Cole and the songs origin in the Episcopalian Church of the Messiah in Detroit. Hymnary only lists it in one hymnal, Renew! Songs and Hymns for Blended Worship, but it is also in PTG and Songs of the Spirit. The sheet music might need to be found in second hand copies of these. The words and chords are all over the internet, which is probably all you need.

1 The Lord is present in His sanctuary

Let us praise the Lord.

The Lord is present in His people
gathered here,

Let us praise the Lord.

Praise Him, praise Him let us praise the
Lord.

Praise Him, praise Him let us praise
Jesus.

2 The Lord is present in His sanctuary

Let us sing to the Lord.

The Lord is present in His people
gathered here,

Let us sing to the Lord.

Sing to Him, sing to Him let us sing to the
Lord.

Sing to Him, sing to Him let us sing to
Jesus.

3 The Lord is present in His sanctuary

Let us delight in the Lord.

The Lord is present in His people
gathered here,

Let us delight in the Lord.

Delight Him, delight Him let us delight
the Lord.

Delight Him, delight Him let us delight
Jesus.

4 The Lord is present in His sanctuary

Let us serve the Lord.

The Lord is present in His people
gathered here,

Let us serve the Lord.

Serve Him, serve Him, let us serve the
Lord.

Serve Him, serve Him, let us serve Jesus.

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This is the Night – Exsultet by Patricia Smith

I’ll get back to my Hymnal archeology tomorrow, but I am returning to one of my problems – the Exsultet.

I blogged at the problem of the Exsultet three years ago and ended up using Tony Alonso’s marvellous setting, which needs a good singer /cantor, which we didn’t have last year. I am hoping to line up one for this year.

As a back up idea I decided to look at Patricia Smith’s setting as everything of hers I’ve looked at has been sensible and singable. You can purchase it in various versions for ~$A4 at Willow.

I think what she has done is genius in that she has split it into more digestable and learnable sections. The preamable up to the priest’s part she has turned into a three verses song, so you could sing that as a cantor or choir.

You could let the priest say, chant or sing his part and then restart at “It is truly right and just…” From there there are two cantors alternating who each have their own repeated motif, which would make it much easier to learn. By the time you get to the last two stanzas they sing in unison. My only issue is that it appears she has done a little editing and trimming to the text, so it is somewhere between the shorter and longer forms. The text below is to sing along with backing, so it contains her edits.

My backing skips over the part for the priest.

Cantor

Exult, let them exult, the hosts of heaven,
exult, let Angel ministers of God exult,
let the trumpet of salvation
sound aloud our mighty King’s triumph!

Be glad, let earth be glad, as glory floods her,
ablaze with light from her eternal King,
let all corners of the earth be glad,
knowing an end to gloom and darkness.

Rejoice, let Mother Church also rejoice,
arrayed with the lightning of his glory,
let this holy building shake with joy,
filled with the mighty voices of the peoples.

Priest

(Therefore, dearest friends,
standing in the awesome glory of this holy light,
invoke with me, I ask you,
the mercy of God almighty,
that he, who has been pleased to number me,
though unworthy, among the Levites,
may pour into me his light unshadowed,
that I may sing this candle’s perfect praises.)

(V. The Lord be with you.
R. And with your spirit.)
V. Lift up your hearts.
R. We lift them up to the Lord.
V. Let us give thanks to the Lord our God.
R. It is right and just.

Cantor I

It is truly right and just, with ardent love of mind and heart
and with devoted service of our voice,
to acclaim our God invisible, the almighty Father,
and Jesus Christ, our Lord, his Son, his Only Begotten.

Cantor II

Who for our sake paid Adam’s debt to the eternal Father,
and, pouring out his own dear Blood,
wiped clean the record of our ancient sinfulness.

I These, then, are the feasts of Passover,
in which is slain the Lamb, the one true Lamb,
whose Blood anoints the doorposts of believers.

II This is the night,
when once you led our forebears, Israel’s children,
from slavery in Egypt
and made them pass dry-shod through the Red Sea.

I This is the night
that with a pillar of fire
banished the darkness of sin.

II This is the night
that even now, throughout the world,
sets Christian believers apart from worldly vices
and from the gloom of sin,
leading them to grace
and joining them to his holy ones.

I This is the night,
when Christ broke the prison-bars of death
and rose victorious from the underworld.

O wonder of your humble care for us!
O love, O charity beyond all telling,
to ransom a slave you gave away your Son!

II O truly necessary sin of Adam,
destroyed completely by the Death of Christ!

I O happy fault
that earned so great, so glorious a Redeemer!

The sanctifying power of this night
dispels wickedness, washes faults away,
restores innocence to the fallen, and joy to mourners,

II O truly blessed night,
when things of heaven are wed to those of earth,
and divine to the human.


I On this, your night of grace, O holy Father,
accept this candle, a solemn offering,
the work of bees and of your servants’ hands,
an evening sacrifice of praise,
this gift from your most holy Church.

II Therefore, O Lord,
we pray you that this candle,
hallowed to the honor of your name,
may persevere undimmed,
to overcome the darkness of this night.

I & II Receive it as a pleasing fragrance,
and let it mingle with the lights of heaven.

May this flame be found still burning
by the Morning Star:
the one Morning Star who never sets,
Christ your Son,

I & II who, coming back from death’s domain,
has shed his peaceful light on humanity,
and lives and reigns for ever and ever.

R. Amen.

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Freely, Freely PTG 194

This is another familar hymn from the 1970s that I have somehow never blogged, but it is in the Praise to God Hymnal and is another the Dominicans sourced from the Lutheran hymn book All Together Again. There seems to have been far more Protestant – Catholic music cross over in the seventies than I was aware of.

This song was written by Carol Owens as part of a musical – a very early 70s idea.

Mary at Godsongs has the background, and the sheet music is available all over the internet freely, which it probably should not be.

The text is available here.

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His Banner Over Me Is Love PTG 175

OK, this one I do know from my Presbyterian Sunday School upbringing complete with actions. This is another song that was sourced for the Praise to God hymn book from All Together Again, the Lutheran Songbook, but I won’t blame them for it.

No one admits to have written this one, which is unsurprising, as it is the “Baby Shark” of Christian children’s songs. Hymnary has the sheet music if you must and can’t find it elsewhere. I’ve seen lots of different verses but nothing to match the 16(!) in PTG. Each verse repeats a line three times and finishes with, “His banner over me is love”.

  1. I am my beloved, and he is mine…
  2. He brought me to the banqueting table…
  3. He is the rock of my salvation…
  4. He placed my feet on firm foundation…
  5. Jesus built his church on the rock of Peter…
  6. The one way to peace is the power of the cross…
  7. And now I am a new creation…
  8. There’s therefore now no condemnation…
  9. He calls me by name and I follow where he leads me…
  10. I’m seated with him in heavenly places…
  11. He fills my cup to overflowing…
  12. He’s working in me by his Holy Spirit…
  13. He’s gone to prepare a place for me…
  14. He’ll come again that we may be together…
  15. He calls us all to stand up and witness…
  16. He tells us all to lift hands in prayer…
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