This is a solo vehicle from John Angotti, or if stretched perhaps an assembly could participate in the refrain.
The first and third verse are a private cry to God in a time of trouble with the second giving Christ at Gethsemane as a model of coping with suffering. The verses have very fiddly triplets and a challenging range.
The sheet music can be purchased at WLP where the text is in their sample. I note the sample takes the key up from Dm to Fm so good luck with that as the high note is then up to Ab – F is bad enough!
I have been blogging songs from this collection on and off for nearly a year. I can now make less annoying organ backings for traditional repertoire and have heard an awful lot of old hymn tunes. I have benefitted.
The problems of this collection are pretty clear. It is too cumbersome for practical use by musicians and its song choice is skinny outside traditional hymnody. The deliberate decision to avoid guitar chords is a scandalous lack of hospitality and pastoral thinking.
If you are a parish that has money to spare, needs new hymnals and wants a largely traditional repertoire this is the collection for you. If you don’t have money to spare use the free online resources for the public domain music (eg The Open Hymnal) and don’t forget small church music for backings.
If you have a more mixed palate stick to your As One Voice or Gather Australia and if you find a song you like from CWB II purchase it online to supplement them. You could plug gaps better than CWB by purchasing The Year of Grace Music Book for the McAuley/Connolly repertoire and This is the Time and Setting Hearts on Fire from Litmus for Michael Mangan.
I’m happy to have looked at these songs and the liturgical scholarship and editorial skill that has gone into the collection is immense, but if it ever intended to be a suburban parish hymnal it has failed. Just my opinion of course.
The last song in CWB II is our national anthem. Michael Herry’s prayer for our country that I blogged yesterday might be acceptable, but national anthems have no place in a hymnal.
I am torn between my revulsion of nationalism, or worse, patriotism, being anywhere in a catholic liturgy and being glad that not every hymn is from the northern hemisphere and ill suited to Australia.
Being by the wonderful Michael Herry helps as does its setting to THAXTED by Holst – not an Australian tune but most uplifting.
Herry has the sheet music and text for free here and you can listen to it there as well. My backing in the other hand is BIAB overreaching. CWB II has a bonus descant by Richard Proulx for the last verse, which is somehow copyright to GIA.
His site says the text of the refrain is anonymous but adapted by Tricia Walsh. The verses are adapted from psalm 138.
CWB II says the verse is translated from a source of Pauline charism by Fr Walter Silvester and the verses are The Grail translation of the psalm. Make of all that as you will.
I prefer Herry’s sheet music although he pitches it in Eb and CWB II brings it down to D. He also has different markers for emphasis for the chant in the verses.
I made a backing to learn the refrain mainly. I did include the verses but used notes for the tones rather than each word because BIAB CAN”T DO CHANT.
This c19 text with obvious liturgical uses is by George Washington Doane. CWB II has Becket G. Senchur’s modernised version (no “thees”), but this makes the tortured yoda style syntax look worse. With archaic language the sentence structure is probably more acceptable.
I've worked my way through the As One Voice books and other collections making backings on Band in a Box to help me (& you if you're interested) learn new songs for church. This is aimed at churches and musicians that own the collections but haven't exploited them fully. If you don't have them they are certainly worth buying. This site is educational, nonprofit and designed to enhance the commercial prospects of songwriters. This site does not distribute copyrighted sheet music.
Disclaimer
Any opinions expressed here are personal views and not the responsibility of any Church.
All music backings posted are created by myself and the intention is for them to be used to learn the songs. If any copyright holder wishes me to cease publicising and promoting their wares and directing people to where sheet music can be legally purchased please let me know.
Mason’s “Mass of Glory and Praise”
To access my backings for Paul Mason's mass go to Feb 2011 in the archive.